Digital Visual Content Creators
VFX Compositor - Motion Designer -3D Artist
Hi! I’m Gianpaolo Rende, senior vfx compositor and motion graphics deisgn artist, founder and member of nofictionart, a creative video post-production studio, with a solid experience in the audiovisual industry, focused on the creation of innovative digital visual effects. I’m dedicated to working with medium and small productions at various agency, companies and digital artist teams. I offer technical support to the production of music video, commercials, films, short films, experimental film, animations and documentaries. I take care of each workflow, from concept to creative design, from production to post-production.
RIGHT NOW
AEQUILIBRIUM | footboard
Client: Avmicrolab
Motion Designer by Gianpaolo Rende
Produced: © nofictionart 2022
PODLIGHT | footboard
Client: Avmicrolab
Motion Designer by Gianpaolo Rende
Produced: © nofictionart 2022
WINPRO | footboard
Client: Avmicrolab
Motion Designer by Gianpaolo Rende
Produced: © nofictionart 2022
VFX - 3D
Visual effects
Throughout the history of moving images, the film industry has greatly increased the use of the most innovative and evocative video post-production techniques. From large to small production companies, when specific visual effects interventions are required, the aesthetic qualities of visual products improve significantly, thus managing to make the ordinary world extraordinary.
COMPOSITING
Optical flow
The most surprising visual effects are those that manage to process and combine in one or more sequences a substantial number of information and visual elements. Compositing uses the combinations of 2D/3D materials that come from different sources, but will be always the relative motion of the viewer that successfully establishes the three-dimensional nature of the event.
The most surprising visual effects are those that manage to process and combine in one or more sequences a substantial number of information and visual elements. Compositing uses the combinations of 2D/3D materials that come from different sources, but will be always the relative motion of the viewer that successfully establishes the three-dimensional nature of the event.
EDITING
Linear non-linear
The temporal evolution does not depend exclusively on the motion of objects within a scene, the image is treated as a condition of space and time. We observe the light and the environments, we study the interactions between subjects and objects, this allows me to establish the right degree of sublimation of the image in the final editing.
